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Jack de Marseille , whose real name is Jacques bound instead , was born on 19 December 1965. He lives in Marseille . Known primarily as a pioneer of electronic music, he has contributed in the late 80s , the emergence of the French electronic scene. The success of his sets earned him the French voted best DJ in 1998 by Coda , the first magazine devoted exclusively to electronic music and culture since 1996. The following year, the Trax is a class that number . Often stamped reductively " house DJ " Jack de Marseille problem for people looking to the catalog . Listening to his sets with multiple influences , recognizable among all , it is understood that resists any nomenclature. His identity is marked by energy rhythms and colors that juxtaposes mix background and dynamite in response to the dancefloor, he considers the heart , the destination of his music. A heightened sensitivity but also deep , flush skin , revealed by deep accents softer , more sensual .
PLAY WITH THE LIMITS ...
Refusing to be categorized , Jack plays with the limits. In the same way he has always shown a penchant for extreme sports such as freestyle skiing he practiced assiduously , or the sports to the extreme, such as tennis, which he also abandoned the teaching to devote himself exclusively to music .
This is surely the energy that mobilizes in sport, which electrifies the music of artists . Thus, the first album he bought was the historic " Supernature " by Cerrone . The inventor of the disco attracted so much because he performed there because he has created a rhythmic announcing that the first synthetic music, premise house music. It was in the early 80s and Jack de Marseille is also a fan of Grandmaster Flash , the inventor of the cut and especially the first DJ to make the turntables instrument in itself. And so , curiously , it is marked by the musical energy and stage talents of some hard rock bands such as Van Halen and Rose Tattoo , he is also interested in others like Nitzer Ebb - electro body music that already , do not hesitate to distort, distort the sound of their instruments. This is what the punch and exhilarating penchant for trafficked sounds found in its first benefits. But he appreciates the experimental music such as Aphex Twin can compose , it is above all the melody he favors . It is so much attracted during the 80s , through the voice and energy of Bono ( U2 singer ) by the explosion of music produced with drum machines, pop bands like Simple Minds , or Soul II Soul , reinventing his own soul codes are in reclaiming rhythms. It also monitors the set of exchanges taking place between the U.S. and the European strongholds electronic scene centered on Berlin. His music feeds quickly premises hip- hop feel that emerge in the electro -funk that Africa Bambaataa develops inspired by artists like Kraftwerk . This is the musical diversity that will make a hallmark of his music from the beginning of his DJ career in 1990.
In May and July 1992 , Jack co- organizes Atomix parties in Marseille, the Wasteland of the Belle of May. This is the first time a rave party has citizenship , and the success of these evenings is even more spectacular having place in town , they are accessible to the greatest number . The attendance record is the overheated atmosphere . The career of Jack de Marseille then took a decisive turn after memorable interventions : this is the first time he played in a club off to an audience as large event. His music will find a completely new and Energy sets its amplitude is increased tenfold . The buzz around this evening , during which he met Laurent Garnier, is as immediately contacted to play Transmusicales Rennes in December 1992.
A CAREER TAKES OFF IN THE BIGGEST FESTIVAL ...
Therefore, it is booked in the biggest events and electronic festivals in the world : Borealis in Montpellier, Brest Astropolis , Sonar in Barcelona, Dance Valley in Amsterdam, I love techno in Ghent, Energy Switzerland Mayday parties in Mexico and Germany , Nature One and Timewarp in Germany too, Sziget in Budapest, Creamfields festival in Buenos Aires, Global Gathering England, La Fiesta des Suds in Marseille and Marsatac ...
AND THE BIGGEST CLUBS :
Become unavoidable , it multiplies homes and is invited to the most prestigious clubs: Rex and Palace in Paris , the Treasury and the Berghain in Berlin, the Space Pivilège , Amnesia and Pacha Ibiza , the Roschteflager and Weetamix Switzerland , the Fuse in Brussels , the Café d'Anvers , the Ministry of Sound in London and Heaven , the Arches in Glasgow , the Area in Montreal , Love the E Club in Sao Paulo , the Volar in Hong Kong at the Roxy Prague , the OTV Zagreb , Club iT, the Now and Wow , Club More in Holland the Matis in Bologna the Rachdingue the Sale del Salt and Ku in Spain ...
ON THE AIR ...
It is in residence on Radio FG Color 3 (CH ) Radio Grenouille (Marseille) , and product mixes for many others: Radio One (UK ), Radio Brussels, France Inter, as well as Chinese and Russian stations ...
ARTIST AND ACTIVIST :
In 1998 , Jack also takes part in the Techno Parade , held in Paris , at the initiative of Jack Lang, modeled on the Berlin Love Parade , which includes 1.5 million spectators and where it will be scheduled in 1999 and 2000. He then realizes that he played before one of the most important of his career beds . He is also invited to be interviewed alongside the Minister for the JT France 2 , on the occasion of the 2000 edition of the Techno Parade , thus affirming both as an artist and as a fervent activist music electronic . The March of the Century had already given to him in 1997 with Junior Vasquez, famous resident Tunnel Club of New York , in a program devoted to new musical trends. LCI will associate later Eric Morand Fcom ( Laurent Garnier 's label ) in a series of interviews to examine the concept of electronic culture . And when it is scheduled in 1999 at the Centre Georges Pompidou by Technopolis , the federation that organizes the Techno Parade , he realizes that he plays in the temple of art established , institutional, and that is a form of recognition for all the players and supporters of the international electronic scene . It will not cease to become the ambassador , playing at the first festival of Chinese music in Canton in 2002 and integrating programming network of French Cultural Centres in Johannesburg and Cape Town, South Africa in Rio de Janeiro, Brazil. There will also be a privileged partner of SACEM in debates on the issue of copyright and electronic music . He then defended the idea of the electronic musician as an artist -author , beyond the cliché of reducing disc jockey who merely compile and play other people's music .
CURIOUS , IL OSE ...
Jack de Marseille love act outside the box, to promote the music he defends broadening its scope, and build bridges between artistic media . Elizabeth Rapetti who worked with Agnes B, known to be open-minded and action for artists, brought into contact in 1999 with Maryline Vigouroux , director of the Institute of Fashion - Mediterranean , pole single resource in France , who will command her sound design parades recalling the course designers as prestigious as Paco Rabane and Jean- Charles de Castelbajac . Always ready to meet new challenges , Jack also accepts compose a title from the soundtrack of the stage adaptation of the film Trainspotting in 1997 , on which Hardfloor and Carl Cox also sign a piece .
SHARE ITS OPENING MUSIC :
This free spirit enriches over his travels , a musical culture that would like to share more with others , whether or amateur musicians . In Paris and in 1992 , Jack was a loyal customer of BPM Records store that unearths and sells the most advanced electronic music slabs , through which it builds , among others, his taste for scenes of Detroit and Chicago. Aware of the minimal representation of some music records in most record stores , which often distribute electro techno - trends that hardtech - it opens Wax Records, a record store Marseilles . From 1995 to 2003, he distills the range of the widest styles , trip hop to drum'n'bass through the house and easy listening .
THE DJ PRODUCER TO
With these multiple experiences, he decided to compose his own music and produced and in 1997 , Submerge , his first title on Ozone 's label Oxia and Kiko , where they were also the first to sign The Hacker . This new direction in his career motivated the creation of the Wicked Music label in 2001. Jack wants to find ways to build on its success by producing other artists. He signed , among others, EDP , David Carretta , Trisomy 21 , 2 Rare People . In 2002, he also released his first album Free my music (Wicked Music / Wagram ) that will flow 16,500 copies. The following years are dense . Jack de Marseille is booked around the world and continues to produce many remixes for artists such as Audio Bullys , P.Diddy , Slow Train, The Advent , Anthony Rother . 2JACK4U ( Wagram ) and many other mixed compilation reflects the diversity of his musical directions are also published on its label .
2006 MARSEILLE , BACK TO BASICS ...
In 2006 , the pressure of an international career brought him back to Marseilles, where he found both his family ties , friendship , and a city as mixed as his music. City revealed as a DJ . Replay in smaller rooms allows him to build longer sets, more progressive , different from those they play in big clubs and festivals where it is limited by time. So it surprised everyone by the originality and variety of records that mixes during his participation in Marsatac and Fiesta des Suds in 2006. It is this modulation which surprises his audience through rhythmic deep , to more electro-hip hop and broken beat , composing music a darker , less outgoing. The time he then performed in Senegal plays an important role in the return to more pronounced and slow rhythms . Finally , the residence he performs at Cabaret Random Wasteland of the Belle de Mai, allowing it to schedule guests such as D'Julz , David Carretta , Steve Rachmad , Damian Lazarus , Slam ... reflect its spirit openness and richness of his music.
This return to a longer time format in which music takes time to grow , to carry his audience and bring it down , also becomes the standard of the new album of Jack de Marseille . Found in Inner Visions , released on 16 March 2009, this sense of unity of time, endurance , in the securities that are linked seamlessly , based in each other .
INNER VISION CONCEPT ALBUM ...
Produced with the help of Sebastian Rexovice sound engineer and longtime friend , Inner Visions is designed as a melodic inner journey , inspired , in which the artist tries to find the diversity of its musical culture and the dynamics of his DJ sets. There Métis his constant deep house and Detroit techno , dub rhythm Berlin , revives even the voice of one of the songs ... The album also features several listening levels : very chill down low, it reveals accents dancefloor soon that mounts the volume , confirming the talent producer Jack de Marseille and its desire to push people around , touching the souls and bodies to dance . To establish the world in which he seeks to immerse us, Jack was keen to establish links with other artists for his music resonates beyond the sounds in their minds. In the album cover , Aline Soler poses some to echo the word next to the work of the musician, as a way to enlighten . The language is concise , stumbles over the words , repeated rhythms ... The visual of the album, reproducing a painting Prokopaviciute Vika , Russian artist , opened the doors of a mental universe that is both abstract and figurative , colorful and disturbing , stylish and psychedelic ... It is surely the open field by Jack de Marseille : propose new destinations in the production of music, meet the public 's expectations while moving to take her hand, do dream ... But always in rhythm ...
# Jack De Marseille signed to remix SOR007 Neil Landstrumm (April Acid EP)
Releases On Sienna Obscure
|Listen||Buy||Trackname // /||Artists / Remixers||SOR007||Download||
April Acid (Jack De Marseille Remix)
128 bpm, A#min, 2014-09-30, Techno
|Neil Landstrumm , Jack De Marseille|